Sweeping

The Philippine National Art Gallery, the home of Juan Luna's Spoliarium, is a 1916 American colonial era building which used to be the Philippines' Legislative Building, just as the building of the National Museum of the Filipino People used to be the Finance Building. This is the Legislative Building's elegant marble spiral staircase with wrought iron banisters and a softly gleaming wooden handrail. I just wish the gallery staff didn't keep supplies and trash under the stairs, even temporarily.

Smooth Corinthian

The National Museum of the Philippines is currently housed in two neo-classical buildings in the City of Manila. The archeological artifacts comprise the Museum of the Filipino People collections, housed in the former Finance Building which I've featured several times in the past. The National Art Gallery is in the former Legislative Building right across the street. Both were designed principally by Filipino architect Antonio Toledo who was influenced by the city plan originally formulated by American architect and urban planner Daniel Burnham. The columns of the two buildings are almost exactly alike—they have the same capitals but unlike those of the Finance Building, which are fluted, the shafts of the Legislative Building's columns are smooth.

City lights

This is the skyline of the City of Manila as seen from the 9th floor patio of The Bayleaf Intramuros. The two neoclassical buildings just beyond the trees are the National Museum of the Philippines. The National Art Gallery is the building on the left, which used to be the Legislative Building. The Museum of the Filipino People is the building on the right, which used to be the Finance Building. Both were built in the early 1900s during the American colonial era, suffered extensive damage during WWII, and reconstructed soon after.

Details

These are the magnificent friezes, columns and chandelier in the main lobby of the National Art Gallery of the Philippines, which used to be the Legislative Building of the country. I know that the architectural details have been there since the early 20th century, when it was built during the American Colonial Era. Unfortunately, I do not know anything about the chandelier, not even whether it is old or new. If I may hazard a guess, I think it's both. The main chandelier looks like an antique but the organic glass shapes and curvy rods with balls at the end are a newer addition. In fact, the addition reminds me so much of Filipino artist Impy Pilapil's work. What do you think?



If I ever find out, I'll let you all know, of course.