Jorge de Leon's gift to Manila

This was my other choice for my March theme day post: one of the stained glass windows in Malate Church depicting Jesus being baptized by John in the Jordan River with the Holy Spirit descending on Him in the form of a dove. I actually like the colors of this photo much better. A dark interior with bright daylight outside brought out the brilliant colors of the stained glass very well. Unfortunately, I do not know anything about Malate Church's windows—who the artist is or when they were created. The only thing I know about this panel is that it was donated by someone named Jorge de Leon, as it says at the bottom.

Open iPod

Spotted in Tomato Kick, the restaurant that turns into a bar at night, located in the house that was converted into a tiny strip mall. Don't like the music? Plug in your own iPod.

Find more Odd Shots—or post your own—at Katney's Kaboodle.

Something old for something new

THEME DAY: GLASS • During the 1930s, the campus of the Ateneo de Manila University was along Padre Faura Street in Ermita, Manila. All of its buildings were destroyed during WWII. When the Jesuits rebuilt the campus, they also built a circular chapel on the grounds. In Germany, Fr. Raymond Annable, S.J. found a set of stained glass windows depicting the Stations of the Cross and the walls of the chapel were designed specifically for them. In the 1950s, the university's main campus was moved to its current location in Loyola Heights, Quezon City and the Padre Faura land was sold to John L. Gokongwei, one of the Philippines' wealthiest businessmen. Fifty years passed before the light of the sun shone through those stained glass windows again, when they were installed in the Church of the Gesù in 2002. They provide a beautiful backdrop to the church's unique holy water font, made out of a single piece of volcanic rock with a water circulating system built inside it. Reflected on the stained glass panels is the crucifix over the altar and the windows of the two other sides of the pyramid-shaped church.



Rough, smooth, faceted, colored, smoky, translucent, transparent, mirrored—look at or look through glass with the City Daily Photo bloggers. Click here to view thumbnails for all participants.

Climbing the wall

Last week, the Loyola Mountaineers, a student organization of mountain-climbing enthusiasts, had a rock-climbing wall set up in a lawn near the building where I work. With summer break only a few weeks away, I think they were promoting their summer climbs. The wall was courtesy of Tribu Outdoors, a company which specializes in outdoor and adventure gear. And before you ask, no, I did not try the wall. I couldn't risk torn slacks and I doubt I would have managed it in high-heeled pumps anyway.

Evening sunlight

Walking east out of the campus yesterday at 6:10 in the evening, I noticed that the sun was still high in the sky. Less than two weeks ago it would have been quite dark at this time and night-blind-me would have been having a hard time on the gravel paths. Summer has arrived.

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Alive and well

February 18, 2009 marks a very important event in the history of Philippine performing arts. On that day, the winners of the first Philstage Awards for the Performing Arts were announced. Named Gawad Buhay! (awkward, literal translation: Alive! Award), it is the first award which is strictly for the ephemeral performing arts. For now, only theater—plays and musicals—and ballet are included, and Philstage itself has less than a dozen member companies. But hopefully, more groups will join and experts in the other performing arts can be found willing to serve as jurors so that Philstage's Gawad Buhay! can truly fulfill its objective: "to further professionalize the performing arts industry in the Philippines by engaging our audiences—critics, artists and the viewing public—in a creative dialogue." I am honored to have been there that night, and happier still that I was able to take a photo of the winners (even though they were posing for the official photographer and not me).


For those who want to know who the awardees are, read my husband Exie's article,"The start of something big." He writes an occasional column for The Philippine Star, one of the top three national newspapers in the Philippines, and that article appeared in its February 23 edition. And so did my photos. Ain't it cool? :)

Ashes to ashes, dust to dust

Today is Ash Wednesday, which marks the first day of Lent for many Christians all over the world. Here in Metro Manila, and in most of the Philippines, Catholics went to Mass for the imposition of ashes. The black ashes are placed on the forehead in the shape of a cross and they come from the palms used during last year's Palm Sunday, which have been burned and blessed. I don't have any photo of this ritual unfortunately, and this is the only image I have which has any relation to this day. This is a small portion of the crypt of the church of Our Lady of Mount Carmel, used only for those who were cremated. The most popular of the biblical verses used during the imposition of ashes is from Genesis 3:19, "Remember, O man, that you are dust, and unto dust you shall return."

Mary, for you

A daytime view of the statue at the Promenade of Our Lady and the St. Stanislaus Kostka Chapel of the Ateneo de Manila High School without the pretty white and blue hanging lights. I don't know who the artist is, but the sculpture features a young student (note the books in his hand) on one knee looking up towards the Blessed Virgin Mary. It is symbolic of how Ateneans of many generations view Mary: they venerate her, look to her for guidance and offer their studies and work to her. The title I chose for this post is actually a line from Ateneo de Manila's graduation hymn which is titled, not surprisingly, "A Song for Mary."

Drinks are on the house

Back in June 2008, I wrote about Pino, a tiny restaurant and bar near our house with a very innovative menu. I'm happy to say that it's still open and has actually been featured in a local TV show, which I hope means that they'll get even more customers so they'll continue operating. After watching another play last week, my husband and I decided to stop by for a beer and some bar chow (their Tempura Oyster Pearls are yummy!). We sat outside since it wasn't too hot and humid. Looks like humans aren't the only creatures who use Pino as their watering hole.

Find more Odd Shots—or post your own—at Katney's Kaboodle.

So tropical

Whether they're in upscale, gated communities or in open, middle-class neighborhoods, most homes in Metro Manila are completely surrounded by walls. They delineate the property, provide privacy and make it a bit more difficult for robbers to get in. This house is in Blue Ridge Subdivision in Quezon City, a gated community on the low end of the upscale spectrum (the streets are narrow—really upscale subdivisions have wide streets). The house seems to be single-level and you can't even see it because of the wall, which the owner roofed over for the three-car garage. I like those gates with the wooden planks, not a common sight here because our half-year rainy season can easily rot exposed wood. Beyond the pedestrian gate, the wall ends and they only have an iron fence, but the lush plants on both sides of it provide an effective and lovely screen.

Bug off!

This will be my last post about Entablado's production of "Ang Unang Baboy sa Langit" (The First Pig in Heaven), I promise. The coolest costumes in the musical belonged to the villains, but of course. What creatures thrive in dirt and dust? According to the playwright, it's mosquitoes, cockroaches and spiders. I agree that mosquitoes and cockroaches are almost villainous, but I don't agree that spiders are in the same category. Some of my best friends are spiders because they feed on pesky bugs. I can live with the webs.

A very hygienic pig

Butsiki was a most unusual pig. She was born with shining nails and a star on her forehead. Unlike the other pigs of Babuyan Island who liked wallowing in mud, she liked bathing in clear, clean water and liked her surroundings free of dirt and cobwebs. With a greedy mining company and a corrupt head pig, I think you can guess where the story goes. Staged as a whimsical, funny musical, "Ang Unang Baboy sa Langit" (The First Pig in Heaven) is a cautionary tale about what happens when we don't take care of the environment. This is Patricia Ruth Peña, one of two students who alternately played Butsiki in Entablado's production. If all goes well this month, she will be graduating from the Ateneo de Manila University in March with a Bachelor of Arts in Interdisciplinary Studies.

Nativity scene with pigs

The story of "Ang Unang Baboy sa Langit" (The First Pig in Heaven) is a derivation of the messiah story. Ponyang, a pregnant pig and resident of Babuyan Island, is told by an angel in the form of a rabbit that she would give birth to only one piglet, the pig of prophecy who will save the other pigs of the island from certain destruction. The corrupt head pig, who wants everyone to sell their farmlands to a mining concern because he's getting a large cut, is threatened when he hears rumors of Ponyang's unusual pregnancy. Pig and wife run away from their town. They arrive at another town just as Ponyang is about to give birth and they have to ask several households before a kind family gives them shelter. Ponyang gives birth to Butsiki, who is soon visited by three friends who had been looking for her: a dog, a cat and a mouse.

Pig heaven

Entablado (stage) is a student theater group of the Ateneo de Manila University organized just before the EDSA People Power Revolution. It focuses primarily on experimental and street theater and chooses plays which have strong socio-political content. The last play they staged certainly had a heavy dose of it, but it was also whimsical and hilarious. Titled "Ang Unang Baboy sa Langit" (The First Pig in Heaven), it was a musical adaptation of the children's story written by Rene O. Villanueva, a playwright and author of children's books in Tagalog. The story won first prize in the 1990 Don Carlos Palanca Memorial Awards for Literature, which is probably the Philippines' most prestigious literary award. The script was written by Christine S. Bellen, who also wrote the script for "Batang Rizal" (The Boy Rizal). The story takes place on Babuyan Island (roughly, Island of Pigs—baboy is the Tagalog word for pig) and the simple yet creative and very effective stage was designed by Gino G. Gonzales, a protégé of Philippine National Artist for Theater Design Salvador F. Bernal. The tree trunk platforms' bark is little pieces of bamboo glued to the sides of the painted wood.